Maverick Story's - 7 days ago

Chandannagar-Ian’s gear up for the commencement of Jagadhatri Puja.

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The moment the ‘Chokkhu Daan’ was formalised, the identity of the Mother Goddess was unveiled. “She has a pair of large eyes, those which makes it seems like she knows everything about this materialistic world, and not to be messed with because she might tear the world apart. She is a classic beauty possessing a warm and loving smile, personifying indemnity – as she might be able to turn ruthless enough to eradicate inhumanity if needed”.

A threshold has been reached – it’s now being garnering acceleration for the commencement of the Jagadhatri Puja. The ornamentalist’ s while being engaged – candidly transforming the decorative materials to a subtle theme, the core team comprising Chanchal, Rabida, Tuba, Sona Bapi, Chotu, Goutam Kundu, Sudipto, Bukai Da started the traditional draping, of the just concluded idol, with Benarasi Saree which over the decades is a symbol of femininity and grace, enhancing the beauty of women.

This year 04 Red ‘Benarasi (Baranasi) Saree’s’ & ‘Blouses’ has been donated by Mrs. Jaya Das alongwith Sreyoshi Das. “Benarasi Sarees heir special characteristics including intricate intertwining floral and foliate motifs, kalga and bel, a string of upright leaves called jhallar at the outer, edge of border is a characteristic of these saris. In addition to being a symbol of status and wealth, Benarasi sarees are considered good luck on a bride’s wedding day. Here, Mother Jagadhatri is formally greeted, on the day of inauguration as a Bride, and subsequently worshipped as the goddess”.

Amidst symbolising femininity, scientifically, the pleating of Pallu (Anchal) makes this traditional attire airy. When both the arms are covered with Anchal, it increases the insulation. The midriff of the saree will keep the layers of the body cool always. The hem of the saree is sometimes used to decrease insulation as well. It symbolizes tradition, grace, and beauty.

“Blouse is usually a lightweight, loose-fitting garment for covering the female body from the neck or shoulders more or less to the waistline, with or without a collar and sleeves; the drape of a blouse can conceal or accentuate body features according to the wearer’s preference, making it a versatile piece in a woman’s wardrobe”.

The modern-day blouse used as an attire of the upper part was conceptualised by Gyanadanandini Devi – wife of Satyendra Nath Tagore (Elder Brother of Kaviguru Rabindranath Tagore).

After the completion of draping, the most intriguing responsibility lies in the final decoration – artistic elevation of the idol turned Goddess awaiting to be revered.

As reiterated, the ornamentalist’ s has eventually been able to shape the decorative materials to a theme, that which would behold the mesmerising grandeur.

To be continued…….